Prudencio Saez Cutaway 4-CW (56)
970,00 € VAT included
Available on backorder
About the product
The Prudencio Saez workshop
Prudencio Saez is a Valencian workshop with more than half a century dedicated to artisanal Spanish guitar, known for offering classical guitars and flamenco guitars with an excellent relationship between sound quality, comfort and price. The Prudencio Saez 4-CW (56) cutaway classical guitar represents its narrow-body electroclassical proposal made in Spain, designed for guitarists looking for a very comfortable professional guitar, with natural acoustics and great versatility.
Technical details and construction
The Prudencio Saez 4-CW (56) is an electrified classical guitar with cutaway and narrow body (approx. 75 mm), with solid Canadian cedar top and laminated Indian rosewood back and sides, a classic combination for a warm sound with good balanced projection. The samanguila neck incorporates a truss rod for fine adjustment of the curvature, mounts a rosewood fingerboard and bridge, a bone nut (width 50 mm) and a 650 mm scale, with a gloss finish that highlights the grain of the wood. The Fishman Clasica II amplification system integrates a tuner and active equalization, respecting the character of a handmade Spanish guitar both plugged in and acoustic.
Sound and character
Despite its narrow body, this classical guitar offers a surprisingly wide resonance, with round bass, present mids and clear highs, maintaining a balanced projection that is very comfortable to control at home, in rehearsal or on a small stage. The cedar provides a warm sound and an immediate response to attack, while the Indian rosewood contributes to the tonal depth and harmonic richness, resulting in a versatile Spanish guitar, suitable for both classical guitar repertoire and a touch close to the modern flamenco guitar. Connected, the Fishman preamp preserves the transparency and natural sustain of the concert instrument, allowing nuances from an intimate pianissimo to more dynamic passages without losing definition.







